Der größte österreichische Gastronomie-Belieferer ist an die Schweizer Transgourmet (Coop) verkauft worden. Noch steht groß "C+C Pfeiffer". C+C Pfeiffer. aus Wikipedia, der freien Enzyklopädie. Zur Navigation springen Zur Suche springen. Weiterleitung nach: Transgourmet Österreich. Abgerufen von. C+C Pfeiffer wird verkauft: Die Pfeiffer Handelsgruppe mit Sitz in Traun/Oberösterreich unterzeichnete die Verträge zum prozentigen Verkauf.
So wird C+C Pfeiffer zu TransgourmetC+C Pfeiffer wird verkauft: Die Pfeiffer Handelsgruppe mit Sitz in Traun/Oberösterreich unterzeichnete die Verträge zum prozentigen Verkauf. Der größte österreichische Gastronomie-Belieferer ist an die Schweizer Transgourmet (Coop) verkauft worden. Noch steht groß "C+C Pfeiffer". C+C Pfeiffer. aus Wikipedia, der freien Enzyklopädie. Zur Navigation springen Zur Suche springen. Weiterleitung nach: Transgourmet Österreich. Abgerufen von.
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Research Feed. Carl C. Pfeiffer made his first contribution in , contributing 22 papers by the time he died in Further success came with leading roles in the fantasy feature Ladyhawke and later The Witches of Eastwick and the comedy Married to the Mob Her roles in Dangerous Liaisons and The Fabulous Baker Boys garnered her two consecutive Academy Award nominations, for Best Supporting Actress and Best Actress , respectively; her portrayal of lounge singer Susie Diamond in the latter is one of the most acclaimed of her career.
She continued to gain praise for her performances in the dramas The Age of Innocence and White Oleander , and the horror films Wolf and What Lies Beneath During this time, she also produced a series of films under her production company Via Rosa Productions.
After a hiatus from acting in , she returned with the musical Hairspray Pfeiffer attended Fountain Valley High School , graduating in After a short stint training to be a court stenographer , she decided upon an acting career.
Pfeiffer made her acting debut in , in a one-episode appearance of Fantasy Island. Pfeiffer transitioned to film with the comedy The Hollywood Knights , with Tony Danza , appearing as high school sweethearts.
She subsequently played supporting roles in Falling in Love Again with Susannah York and Charlie Chan and the Curse of the Dragon Queen , none of which met with much critical or box office success.
She appeared in a television commercial for Lux soap ,  and took acting lessons at the Beverly Hills Playhouse ,  before appearing in three television movies — Callie and Son , with Lindsay Wagner , The Children Nobody Wanted and Splendor in the Grass.
Pfeiffer obtained her first major film role as the female lead in Grease 2 , the sequel to the smash-hit musical film Grease Nobody wanted to hire her.
Director Brian De Palma , having seen Grease 2 , refused to audition Pfeiffer for Scarface , but relented at the insistence of Martin Bregman , the film's producer.
She was cast as cocaine-addicted trophy wife Elvira Hancock. In the parlance of the industry, she is hot. For the role of Angela de Marco, she donned a curly brunette wig and a Brooklyn accent,  and received her first Golden Globe Award nomination as Best Actress in a Motion Picture Musical or Comedy , beginning a six-year streak of consecutive Best Actress nominations at the Golden Globes.
Her performance won her widespread acclaim; Hal Hinson of The Washington Post saw Pfeiffer's role as "the least obvious and the most difficult.
Nothing is harder to play than virtue, and Pfeiffer is smart enough not to try. Instead, she embodies it.
Her porcelain-skinned beauty, in this regard, is a great asset, and the way it's used makes it seem an aspect of her spirituality.
She underwent intense voice training for the role for four months, and performed all of her character's vocals. Critic Roger Ebert compared her to Rita Hayworth in Gilda and to Marilyn Monroe in Some Like It Hot , adding that the film was "one of the movies they will use as a document, years from now, when they begin to trace the steps by which Pfeiffer became a great star".
Pfeiffer's performance as Susie is considered to be the most critically acclaimed of her career. The casting was seen as controversial by many, as Pfeiffer was considered far too beautiful to play an "ordinary" waitress;  Kathy Bates , the original Frankie on Broadway, also expressed disappointment over the producers' choice.
In , Pfeiffer formed her own boutique film production company, Via Rosa Productions, which ran for 10 years. She asked her best friend Kate Guinzburg to be her producing partner at the company.
The two met on the set of the film Sweet Liberty and quickly became friends. Kate was the Production Coordinator on the film and became close with Pfeiffer over the course of the shoot.
The first film the duo produced was the independent drama Love Field , which was released in late Reviewers embraced the film and The New York Times felt that Pfeiffer was "again demonstrating that she is as subtle and surprising as she is beautiful".
For the role of Catwoman, she trained in martial arts and kickboxing. Pfeiffer has received universal critical acclaim for the role, and her performance is consistently referred to as the greatest portrayal of Catwoman of all time by critics and fans, and is also one of the best regarded performances of her career.
Her stitched-together, black patent leather costume, based on a sketch of Burton's, remains the character's most iconic look. And Michelle Pfeiffer overcomes Batman Returns ' heavy-handed feminist dialogue to deliver a growling, fierce performance.
Following the formation of her producing company in , Pfeiffer saw a growing professional expansion as a producer.
While she continued to act steadily throughout the decade, she and her producing partner Guinzburg experienced a winning streak of producing back to back films next under their Via Rosa Productions header.
In the horror film Wolf , she starred with Jack Nicholson , portraying the sardonic and willful interest of a writer who becomes a wolf-man at night after being bitten by a creature.
Pfeiffer's role is underwritten, but her performance is expert enough to make even diffidence compelling. Pfeiffer's next role was that of high school teacher and former United States Marine LouAnne Johnson in the drama Dangerous Minds ,  which was co-produced under her company Via Rosa Productions.
She appeared as her character in the music video for the soundtrack's lead single, " Gangsta's Paradise " by Coolio , featuring L. She voiced of Tzipporah for animated film The Prince of Egypt Pfeiffer chose to begin the process of dissolving her film production company, Via Rosa Productions, in , and move into semi-retirement in order to spend more quality time with her children and family, meaning that she would continue to star in films sporadically into the s and beyond.
Pfeiffer handed her producing partner Guinzburg one final film to produce under the Via Rosa Productions header.
The film was called Original Sin It was originally intended to star Pfeiffer, who later changed her mind as she was looking to work less for a while.
The film was produced by her company, but instead starred Angelina Jolie and Antonio Banderas. In the Hitchcockian thriller What Lies Beneath , Pfeiffer and Harrison Ford starred as a well-to-do couple who experience a strange haunting that uncovers secrets about their past.
It's hard not to cringe, watching this emotionally ready actress fling herself headlong into false material. Pfeiffer, giving the most complex screen performance of her career, makes her Olympian seductress at once irresistible and diabolical.
Pfeiffer lent her voice for the character of goddess of chaos Eris in Sinbad: Legend of the Seven Seas , an animated film featuring Brad Pitt as the voice of Sinbad the Sailor.
She had struggles with finding the character's villainies. Initially the character was "too sexual", then she lacked fun. After the third rewrite, Pfeiffer called producer Jeffrey Katzenberg and told him "You know, you really can fire me," but he assured her that this was just part of the process.
Pfeiffer returned to the screen in with villainous roles in two major summer blockbusters — Hairspray and Stardust.
Travolta requested that Pfeiffer play the part of the villainess, which was her first film role in five years.
Pfeiffer starred in Amy Heckerling 's romantic comedy I Could Never Be Your Woman , with Paul Rudd and Saoirse Ronan ,  portraying Rosie, a year-old divorced mother working as a scriptwriter and producer for a television show who falls in love with a much younger man Rudd.
However, the film was only distributed on home video markets. The drama premiered at Iowa City 's Englert Theatre. It's the kind of refined, delicate acting Pfeiffer does so well, and it's a further reminder of how much we've missed her since she's been away.
Following a two-year sabbatical from acting, Pfeiffer made part of a large ensemble cast in Garry Marshall 's romantic comedy New Year's Eve , her second collaboration with Marshall after Frankie and Johnny.
Rolling Stone found her to be "luminous" in the film,  and The New York Times , positively pointing out Pfeiffer and Banks, noted that their performances "partly compensate for the holes in a story whose timing is hard to swallow".
Pfieffer reunited with Tim Burton, her Batman Returns director, in Dark Shadows , based on the gothic television soap opera of the same name.
Critical response towards the film was mixed, but writers acclaimed the actors' performances—most notably Depp and Pfeiffer's.
IGN found her to be "commanding" in her role and felt that the main characters were "played by one of Burton's best ensemble casts yet".
Pfeiffer has stated that her lack of acting throughout the s was due to her children,  and now with both her children away at college, she intends to "work a lot".
The film premiered at the Sundance Film Festival on January 23, , and received a limited release on April 6, ,  to critical acclaim;    Her role as Kyra was dubbed the "performance of her life" by Village Voice ' s Bilge Ebiri,  and "the performance of her career", by Rolling Stone.
The film, directed by Barry Levinson , reunites her with actor Robert De Niro, who played her husband, disgraced financier Bernard Madoff.
In Darren Aronofsky 's psychological horror film Mother! While Mother! There's a gravity to Pfeiffer's performance that allows her to succeed where the other main actors fail, save for brief spurts — she straddles the boundaries between embodying a symbol and granting the character enough interiority to feel like a flesh and blood woman, too.
Pfeiffer had a supporting role in Kenneth Branagh 's Murder on the Orient Express , the fourth adaptation of Agatha Christie 's novel of the same name.
The mystery — drama ensemble film follows world-renowned detective Hercule Poirot , who seeks to solve a murder on the famous European train in the s.
The film was released in theaters July 6, Variety 's Owen Gleiberman described her presence as "lovely" and "wistful",  while Josh Spiegel of Film wrote that the film suffers from a lack of the actress, describing her as "less of a character and more of a MacGuffin " and her performance as "cruelly brief".
In October , she began work on the dark comedy French Exit , based on the acclaimed novel of the same name by Patrick deWitt , directed by Azazel Jacobs.
Pfeiffer maintains that she has never received formal acting training. We may not be as mannered or as proper as people were in the 19th century, but very rarely are we talking about what we're really thinking.
During the s, Pfeiffer typically played smart, funny, sexually attractive and strong female characters.
They get romanced, but are not overtly romantic. They may be trashy Pfeiffer is widely considered among the most talented actresses in Hollywood,     as well as one of the greatest actresses of her generation.
Johnson argued that Pfeiffer has never had an opportunity to demonstrate her true acting range, believing she could potentially be as respected as Streep if allowed the same opportunities.
Filmmakers and co-stars agree that Pfeiffer is extremely committed to her work,  developing a "reputation for competence, control and hyper-preparation".
Pfeiffer has long been dubbed one of the most beautiful actresses in Hollywood,    a designation The Daily Telegraph 's Mick Brown considers both "a defining characteristic in her acting career" and "curse".
It's the kind of beauty you find yourself involuntarily taking a moment to marvel at mid-conversation. She was again featured on the cover of the annual issue in , having made the "Most Beautiful" list a record six times during the decade , , , , , Pfeiffer is the first celebrity to have appeared on the cover of the annual issue twice, and the only person to be featured on the cover twice during the s.
Famous for being "press-shy" and private, much like the characters she portrays,   Pfeiffer is notorious for disliking interviews, referring to herself as "the worst interviewee that ever was";  her interviews often feature discussions about how nervous the process makes her.
Pfeiffer is mentioned in Vance Joy 's song, " Riptide " "I swear she's destined for the screen, closest thing to Michelle Pfeiffer that you've ever seen".
He said, "She comes back to her apartment after being thrown out the window by Christopher Walken and she goes mental. Her apartment's all pink and beautiful, and kind of creepy and infantile, then she just smashes it all up and spray paints stuff and transforms into Catwoman.
It's this really kind of sexual scene; it's amazing. I also liked her in Scarface and Tequila Sunrise. She was such a babe.
Australian cricketers speak of "getting a Michelle" when they take five wickets in an innings. In cricketing parlance, this is referred to as a "five for", a near-homophone for "Pfeiffer", which resulted in the nickname "Michelle".
While taking acting classes in Los Angeles, Pfeiffer was taken in by a seemingly friendly couple who ran a metaphysics and vegetarian cult.
They helped her to cease drinking, smoking, and doing drugs, and over time the couple took control of her entire life. Much of her money went to the group.
I gave them an enormous amount of money. At an acting class taught by Milton Katselas in Los Angeles, she met fellow budding actor, Peter Horton , and they began dating.
Pfeiffer and Horton married in Santa Monica in , and it was on their honeymoon that she discovered she had won the lead role in Grease 2.
In , Pfeiffer had an affair with John Malkovich , her co-star in Dangerous Liaisons , who at the time was married to Glenne Headly.Dead ManS Hand können nur einzelne Videos der jeweiligen Plattformen eingebunden werden, nicht jedoch Playlists, Streams oder Übersichtsseiten. Transgourmet Graz. Transgourmet Schwarzach.